to erase your mere footstep from the sand." (unknown)
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"It takes a whole ocean and the moon
to erase your mere footstep from the sand." (unknown)
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Sometimes, when we go to the movies or as we watch a show on TV, we are transported into the plot. Directors understand that their selection of background music can change and enhance a scene. Now it is time to turn it around. This time, the music comes first. Do not watch the video; instead, let the music lead your imagination. As it plays, allow it to transport you into a scene that has yet to be written. Then, write the scene. Use all the visual imagery you can muster in your writing. At the end, you will share your writing. Will it stand on its own, without the music in the background?
'Tis the season for Snow Days in our part of the country. While some moderately-nearby districts cancelled classes yesterday, we still had the opportunity to meet at the schoolhouse for a quality education. That doesn't mean we're not going to create a Snow Day of our own! Since learning about the Continental Army at Valley Forge for the last couple of days, we made our own snow using a polymer product similar to the polymers in baby diapers (polyacrylate). It was a fun way to connect with the deplorable conditions of the winter of 1777/8, when George Washington, Baron Von Steuben, and others trained and drilled the soldiers in preparation for the forthcoming springtime battles.
Sometimes, when we go to the movies or as we watch a show on TV, we are transported into the plot. Directors understand that their selection of background music can change and enhance a scene. Now it is time to turn it around. This time, the music comes first. Do not watch the video; instead, let the music lead your imagination. As it plays, allow it to transport you into a scene that has yet to be written. Then, write the scene. Use all the visual imagery you can muster in your writing. At the end, you will share your writing. Will it stand on its own, without the music in the background?
In a record-breaking move, our 2021 class of Hoggatteers has done what no Hoggatteer class has ever done before. We now boast of 11 Multiplication Masters, adding ALEJANDRO and ELI since our last report to the previous Masters: ALICE, BROOKLYN, DOMINICK, HANNAH, KALLI, CALI, OLIVIA, PARKER, and PRESTON. In addition to these individual achievements, records are being broken. I have never had a class who averaged as high as this class, often forced to accept a class average of 88% as our high average for the year. Last week, this record (and as far as I know, our school record) was shattered as our class average reached 97.6 percent. That's 2.4% below 100, and it's only January! For me, it's a dream come true, something I didn't think would ever happen. “The suspense is killing me…I hope it’ll last.”
(Willy Wonka) Sometimes, when we go to the movies or as we watch a show on TV, we are transported into the plot. Directors understand that their selection of background music can change and enhance a scene. Now it is time to turn it around. This time, the music comes first. Do not watch the video; instead, let the music lead your imagination. As it plays, allow it to transport you into a scene that has yet to be written. Then, write the scene. Use all the visual imagery you can muster in your writing. At the end, you will share your writing. Will it stand on its own, without the music in the background?
"Take a deep breath;
you can drown yourself with problems if you don't ask questions." (Rosa Parks) Millions line up in front of their TV sets to watch celebrities as they receive their Grammys, Emmys, Tonys, and Oscars, while those of us who live in the rest of the world - teaching, doctoring, laying cement, collecting garbage, carpentering, clerking, and the like - are without the same level of pomp and circumstance. Over the last 31 years, I have been the privileged recipient of a few teacher awards and prizes, so when this year's nomination period for the awards opened up, I started thinking about what they have meant for me. Most people probably do not realize the work that is involved for the candidates once the nomination has been made. With the name in the running, the assignment to the teacher usually begins. There are usually some essays requested, a resumé, a listing of community involvement, and a lesson plan or project. Some candidates are not up to the task, and they drop out of the running, satisfied to have been considered. I've always felt like if someone took the time to give me the opportunity, I should be able to take the time to make an effort, too.
It is not only the award that I receive: the process is also a reward. So I sit before the keyboard now, asking myself, What has it all meant for me? I have to tell you, the answer is surprising. Let there be no mistake: obviously it has been an honor when parents and students have deemed me worthy of nomination, but there is more to the process than meets the eye.
I don't love you because you're the smartest
I don't love you because you're the fastest I don't love you because you're the prettiest or the best looking I don't love you because you're the strongest I don't love you because you're the most coordinated I don't love you because you are the most artistic or musical I don't love you because you are the wittiest or funniest I don't love you because you're the best player I don't love you because you're the best actor I don't love you because you are the best dancer I don't love you because you are the best debater I don't love you because you are the best student I don't love you because you are the best cook I don't love you because you have the best job or the best education I don't love you because I have to I love you because you are you - nothing more, nothing less It might be a stretch to tie in our "fitting" pattern blocks to "setting" the type on an 18th century printing press, but it's what we do. Last week, Hoggatteers had some fun trying to make everything fit with no spaces. They also played some short games to try to stump each other.
Sometimes, when we go to the movies or as we watch a show on TV, we are transported into the plot. Directors understand that their selection of background music can change and enhance a scene. Now it is time to turn it around. This time, the music comes first. Do not watch the video; instead, let the music lead your imagination. As it plays, allow it to transport you into a scene that has yet to be written. Then, write the scene. Use all the visual imagery you can muster in your writing. At the end, you will share your writing. Will it stand on its own, without the music in the background?
I realized something this week, and it just had to become the latest in a long line of my Professional Pet Peeves in education. It has something to do with the manner in which professional educators and legislators look at data. Just the word, data, is enough to send chills down the spine when it is so often misused or weaponized against a student or a teacher. We record information about all kinds of test scores, and suddenly kids are reduced to numbers and dots on a so-called data wall. We use all kinds of red, yellow, and green stickers to show success; yet we never measure the joy of learning, the sweet taste of success, or the motivation to attack a challenge. We don't ever get to the heart of learning, because we are too often only concerned with the muscles. I tell you now, it takes both. Fortunately, our current principal gets this. He is, by nature, a "data man". He loves to crunch the numbers and find points of interest, but he still gets that matters of the heart, the emotions, and everyday life must somehow be factored into the equation. Every point on a graph can be questioned and thought out with logic rather than just being a rock that needs to be moved from here to there. There is no reason to get too deep into the weeds without consideration of each life and soul. So when the principal displayed some data at last week's faculty gathering, I took notice. It wasn't in the weeds at all; it just floated on the surface for consideration. It seems that, across the board, our students this year came to school in the fall with much lower math scores than reading scores. That was easy to recognize at the time, and it made a lot of sense to me. I remember thinking that this was a relief, because math is something a little more tangible and something that can be easily improved. We all got to work. While we didn't neglect reading, we wanted to work on something that needed to be fixed. After all, these students missed a quarter of their third grade year when the world was locked down at home for a virus in the spring. The result of our effort was that math scores exceeded our growth goals while reading remained steady. The question, asked the principal, is why. Why? And so I did what I do. I sat and listened to his "pep talk", while at the same time, I pondered the question (Ponder, ponder, ponder.), and I like what I came up with. I could be wrong, but I think it makes sense. I won't go into a lot of my own personal development, but suffice it to say, reading is different than math. Got that? We can all agree on that, right? Reading and math are not the same. By that I mean this: they don't even develop in the same ways. Reading is basically the same skills for eternity. We begin early, recognizing shapes and letters, and we're still recognizing the same shapes and letters when we are elderly. Throughout our lives, we pronounce the words that we see. That never changes. English rules rarely change based on usage, but for the most part, we can stick with them as we age. Likewise, comprehension skills - inferring, predicting, questioning, application, et al) are also the same. We develop them (muscle) a little more and a little more. We work them out (muscle) to build on our own understanding. But really, do we learn new skills, year after year, to apply to our reading? OK, we may tweak some things, trim off the edges, and sand down the rough spots, but the skills involved in reading comprehension, and even in reading fluency, remain the same. Math, on the other hand, builds in an entirely different manner. There are basics - numbers and operations - that remain constant, but there are also new concepts to be stacked onto prior foundations. It happens every year. Students come to me, recognizing their numbers and even understanding place value. They realize that there are four basic operations - subtraction, addition, multiplication, and division. We still have to reinforce those skills, but we also have to build on them. It's different than flexing the same muscles and building bulk. Instead, we use those building blocks and move them around in new ways. Students find themselves multiplying multi-digit numbers. They learn to measure area and perimeter. They work on long division. And look out, fourth graders: here comes the whole fractional sandbox! In context of these thoughts, that means with math students are learning what they perceive to be new things. It can be exciting. It's not just the same thing made more difficult. Therefore, everything is new and interesting. Learn something in math and retake the test. Now, you'll be able to answer a question or two more than you did last time. Reading doesn't work in the same manner, and growth in reading is simply different. The test is different. The skills are different. They build, but they don't feel "new". Don't put the data side-by-side and say that we're failing in one and gaining in the other. Don't tell the teacher s/he needs to work harder to make them the two subjects level. It just doesn't work that way. Click the link for more Professional Pet Peeves.
Yes, the air has chilled. The moon is new. And it's January! That can only mean one thing: it's teacher award season. The biggest awards available to nominated teachers in our area have to be the Golden Apple Awards, hosted by the Joplin Area Chamber of Commerce. Our school has had eight recipients of this award in the past, including Yours Truly, the first Cecil Floydian to earn the recognition (way back in 2004). Another three Golden Apple recipients have also taught at Cecil Floyd, either before or after they earned the award. Nominations are open now for the Golden Apple Awards in Joplin. To nominate a deserving educator, a form must be completed, and two letters must be written - one from a student (past or present) and another from that student's parent. As a past recipient, I will never be eligible for future nomination. We'll hear about the second award soon after the Golden Apples have been distributed to 2021's deserving educators. The second is awarded internally in the school district. It is that of Teacher of the Year. As luck would have it, I was Joplin's Teacher of the Year in 2005, and I went on to the state level. Administrators set the criteria for this recognition, and these days, the T.O.Y. is selected to go up against others in our region before advancing to the state and national levels. It was a lot of work to get through all of the required paperwork and writing for this. I remember spending many hours in the summer of '05, tweaking my application, video, and essay for the state. A third recognition - this one from the Joplin Globe, our local newspaper - is often overlooked. It is called the H.O.O.T award, H.O.O.T. standing for Honoring Our Outstanding Teachers. The prize is a small one, sponsored by Crowder College, but the acknowledgment also appears in the Newspapers in Education insert in a Wednesday edition of the paper. Finally, there is this: the National History Teacher of the Year award, from Gilder Lehrman Institute of American History and the History Channel. The award information explains that this should be a teacher of American History (K-12). This is, first, a state award, garnering the recipient a $1,000 prize at a state-level ceremony. A collection of resources is also awarded to the teacher's school library. The following fall, a review of all submitted materials (work completed by the nominee) is conducted for the national teacher of the year award. Historians, former winners, and master educators select who will receive the final $10,000 award at a national ceremony. The teacher is even allowed to invite two students along. Undoubtedly, other awards are out there for teachers if you know where to look for them. If you can think of any eligible educators you believe go above and beyond to connect the dots for his/her students, do that teacher a favor and nominate them. They may not be Hollywood stars, and they may not be Grammy-worthy, but some of them might be worthy of a little bit of glitter for their creative, personal methods and for the connections they make with and for their students. Have you found any other awards for educators?
If so, send them to me so I can review them and possibly post them on this site for others. Wednesday, we had the opportunity to connect some engineering skills with our history unit about George Washington (represented by the red hippopotamus in the pictures below) crossing the Delaware River with his Continental Army on Christmas night in 1776. We love to make connections! The challenge was to design a floating vessel to hold as many little green dinosaurs (soldiers) as possible. In our challenge, each student sketched his/her idea. When it was time to make a prototype, groups had to choose which design elements to use. Then a thin sheet of aluminum was provided for the actual construction of the teams' ships.
After naming the ships, floating them in an aquarium, and placing dinosaurs into them (two at a time), two boats - Big Donut and Boat Swift - stood above the others, each holding 116 dinosaurs before succumbing to the waters. Others held 94, 44, and 30 before sinking to the depths. The most successful crafts were flat-bottomed with high sides that held more of our precious cargo. Students now know the gist of the account of the first and largest of the American victories with George Washopotamus - er, Washington - at the helm. Next, we'll be checking in on France. Apparently Benjamin Franklin is over there, trying to stir up some kind of an alliance to help the Patriot cause. Until then, here are some short videos of Wednesday's experience:
Hoggatteers had the chance to become George Washington, on Tuesday, when they took part in the interactive game appropriately named Be Washington. They used the big screen to view footage of the situation, and on their laptops, they heard from expert advisors with conflicting opinions. Based on all of this, each student had the opportunity to make his/her own decisions to respond to the battle scenario at hand. Forty percent of the class made the same choice that Washington actually made.
This modified entry was first produced in January 2019. A couple of years ago, author Meghan Mathis wrote a gif-ladened article for the We Are Teachers website. The full title of her article was 15 #SorryNotSorry Things Teachers Secretly Do but Won't Admit. I realize the author was trying to facetious with her list, but when the reader gets to the last three items, things take a turn for the serious.
Things Teachers Secretly Do but Should Honestly Admit
This entry was first produced in January 2019. Dan Rockwell writes a blog called Leadership Freak. He posted an entry titled One Thing You Must Stop Doing. He began his article with five signs a leader may be creating dependency. This attracted my attention because I know we often have to work on breaking learners from depending too much on their teachers or parents. When considering my students, I have to realize that I could do everything for them - clean up their manuscripts, correct their computations, etc. - or I could empower my students to solve problems, attack and correct their mistakes, and challenge themselves. I choose the latter. Rockwell offers a simple list that makes sense. His blog, of course, is about leadership and not applied specifically to education, but there are some practical ideas here that shouldn't take too long to remember. He wrote that a leader does not empower the organization if members of the community must constantly ask permission before acting. Trust is important. Like oxygen, trust is invisible, but important to survival. I have to think about how this is true in my classroom of 10-year-olds. How do I empower my students without losing sight of procedures and expectations. I have had students in my classroom who seemingly put their hands in the air before approaching a problem on their own. When this happens, I refuse to jump in immediately to help them. I must not fall into the temptation to crowd a child with guidance until I know s/he gets a chance to attack their challenges on their own. I like how Rockwell puts it: "Stay available but keep your hands in your pockets." If I hurry to assist a child, I establish a dangerous pattern that says that I will always be there to swoop in, but the fact is, we (parents and teachers) are trying to get our children ready to face a world in which we will not always be present. Rockwell also wrote that if nothing important happens when you're gone, then followers have to wait for the boss to be present in order to be productive. We have to change this. For the teacher, I should stop believing that nothing worthwhile can happen when I call upon a substitute teacher to fill my shoes. Learning should not stop when I have to be away. Later in his post, Mr. Rockwell suggests clarifying expectations through use of repetition and daily practice. He says followers need systematic feedback (That means they have to be vulnerable enough to accept constructive criticism.). Rockwell writes that not only must gratitude be expressed for achievement, but that it's always important to show gratitude for effort. He says people must be challenged and stretched. He affirms the forward-leaning attitude of Growth Mindset when he tells leaders to let people "responsibly fail". He explains that this only teaches people to play it safe. In this simple blog post, Dan Rockwell reminds us (leaders/teachers/parents) not to run to everyone's assistance. It's not always intuitive to allow our developing children to develop on their own and to stretch their thinking. We seem to be OK with working our muscles by using such a strategy; I wonder why we resist using this approach with emotions and academics. Sometimes, when we go to the movies or as we watch a show on TV, we are transported into the plot. Directors understand that their selection of background music can change and enhance a scene. Now it is time to turn it around. This time, the music comes first. Do not watch the video; instead, let the music lead your imagination. As it plays, allow it to transport you into a scene that has yet to be written. Then, write the scene. Use all the visual imagery you can muster in your writing. At the end, you will share your writing. Will it stand on its own, without the music in the background?
Here's a tour of the Royal Governor's Palace at Colonial Williamsburg. There are some awesome displays within these walls, and I patiently await my visit, next summer. I can't think about Thomas Jefferson without wondering about the conflicts in his personality. Right now I am reading the text known as Jefferson's Bible (really titled The Life and Morals of Jesus of Nazareth. The question that constantly comes up is about whether Jefferson was a Christian, a Deist, or even an Atheist.
I suppose we all have internal struggles. We often do the very things that we consider to be wrong. We struggle to corral our morals. And we are embarrassed that others may see our hypocrisy. Jefferson lived during the Age of Enlightenment - a time when it was considered high-thinking to question everything. We, instead, live during a time when it is no longer acceptable to declare that an action is right or wrong - morals, or the lack of morals, aren't to be questioned or challenged any more, and the person who does is said to be judgmental and a legalist. I wonder how an enlightened Thomas Jefferson would fare in the 21st century.
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